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Printmaking at Christmas with kids

With the kids enjoying the festive season and having a break from school you might find them sat in your printing studio’s more often. We’ve come up with a few printmaking activities they can get involved with this christmas and joining in on your printmaking sessions

  • Mono-type’s are great for kids, simply sit them down with a piece of styrene and some caligo safe wash ink (easier to get out of clothes) let them paint away. You can let them get stuck in use paint brushes, leaves and branches and anything else you are willing to use to let your child run wild and make their marks. Simply pull through your press we recommend printing onto bread and butter paper from John Purcells it’s an excellent proofing paper, super affordable perfect for letting those littles have some fun.
  • Stencils are great fun simply cut out some shapes from some thick card we find the cardboard off cereal boxes work best as you can wipe these down and reuse them. You can even used corrugated cardboard for a textured look peel off that top layer for that striped look. Simply cut your shape and apply ink to it using a roller pull through your press, again we recommend printing onto bread and butter paper.
  • For those kids who are little bit older why not let them try there hand at lino-cut or drypoint. These are great printing processes to introduce your child to printmaking it allows them take their time and throughly enjoy the process. When they have finished their plate you get  the joy of helping them print it on your press and seeing their eyes light up seeing their final result.

To really get thing festive the processes discussed could be used to make the following things, christmas cards, wrapping paper, place settings for your christmas tables and much more. Or maybe it’s just a nice christmas gift for the grandparents to get framed.

We hope these ideas have helped keep your little ones entertained. 

Have a very Merry Christmas

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

Anthea Wood Ironbridge fine arts Blog Feature

Gunning Press Printmaker of the week- Anthea Wood

This weeks Gunning press printmaker is the wonderful Anthea Wood. Anthea is a printmaker based in Northumberland. Anthea has a love for both Collograph’s and lino-cut she often captures inspiration from her surroundings.

Anthea Wood Ironbridge fine arts Blog Feature

Tell us about yourself…

“I recently moved to Northumberland with my husband and daughter having set up my art business in lockdown 2020. I worked at a large corporation for about 10 yrs previously and left the company at the same time that I fell pregnant; it was time to pursue a different path. I wondered what I could achieve if I put my efforts into delivering my own ideas rather than spending all that energy making other people’s projects happen! I was very creative and arty as a youngster and spent a lot of my twenties drawing and painting – often commission requests for birthdays and gifts. I probably hadn’t picked up a paintbrush for 10 years before covid hit so it was a pleasant surprise to find out that I still had a creative streak. Now I can’t imagine a day when I don’t create something.”

How did you or your organization get into printmaking?

“When my daughter was three months old, I treated myself to a day’s linoprint workshop at Kate Humble’s farm. I’m not sure why I chose linoprint to be honest – maybe because I thought it would give me a process to follow as I was feeling pretty rusty when it came to painting or drawing something. It was so wonderful to have a whole day to myself and learn something new. As normal, I over-complicated my design and didn’t manage to finish my piece but I loved the process all the same. I went on another course 6 months later and cut myself with a cutting tool – another unfinished lino!! Not an auspicious start but I was hooked all the same!”

                          Anthea Wood Ironbridge fine arts Blog Feature

How would you describe your artwork?

I would describe my style as illustrative but also quite adaptable; it is my challenge to see where and how I can develop that style into something a little more untamed. Northumberland is the perfect place! I tend to lean towards capturing the landscapes surrounding me.

How do you plan to take your artwork forward?

Anthea Wood Ironbridge fine arts Blog FeatureMoving to Northumberland meant I had to ‘start again’ with establishing my art but the local community are wonderfully welcoming and there have been opportunities around every corner. I really hope I can embrace this and use my art to contribute to both community initiatives and the local economy. I want to develop my Ingram series and offer up landscape workshops where people can come and create prints based on their visit to the area. I recently set up a Children’s Art club called Inky Fingers earlier this year and this has been a great stepping stone to giving me confidence to help other people get creative. It’s also been lovely to see the children’s faces as they learn to create a piece of art.

 

Why did you feel a Gunning Etching press was the best fit for you and your artwork?

If I’m really honest, I didn’t do much researchAnthea Wood Ironbridge fine arts Blog Feature as I had experienced the press first hand at a workshop with Jenny; the existing list of professional printmakers using the press is also a good testimony! Shelley Wingrove (a wonderful printmaker based in Much Wenlock) first told me about Ironbridge Printmakers and I felt privileged to (at the time) live so close to this family run business set in an incredible town steeped in industry and history. The fact that the press was designed by a local master printmaker, is manufactured and produced by a family business and has been developed over decades is enough for me. Also, Jenny is incredibly generous with her knowledge and expertise so I know that there is support there if I need it. I have had to call her several times for printing support and she has always been at the end of a phone.

What’s your favourite feature on the Gunning Etching press that helps your printmaking process?

The reg bed is up there with the best thing since sliced bread. I even commissioned a second white reg-bed runner to sit on my surfaces so that I can ink up and measure up with ease. The ship-like wheel is also fantastic; having started off with the star shaped wheel, getting the round one has been a game changer and saved my dodgy shoulder from over-reach.

What do your staff/students enjoy printing on your Gunning Etching press?

Anthea Wood Ironbridge fine arts Blog FeatureI have started studio workshops where workshop guests get to try out the press as well as hand burnishing techniques. They are really enjoying the experience of using the press and although most of my workshops are aimed at beginners, they take to the press very quickly. 

Most printmakers have a name for their press, does your Gunning etching press have a nickname?

Nope. Sorry to disappoint! But we do call the round turning handle the ‘Captain’s Wheel’ as my daughter likes to turn it for me. We pretend she is steering a ship!

What would you say to someone thinking about purchasing a Gunning etching press? anethea wood autumn chorus

Definitely see one in action first and get a workshop if possible. I found my day’s workshop with Jenny so useful. I got full use of a press whilst Jenny gave me tutiation in anything I wanted to know about printmaking. The press comes with a brilliant manual which has been so handy when setting up to print; it really does include every detail.

Where can our readers find your work? 

  • Original paintings and prints at the Ingram Café in the Breamish Valley
  • Online shop at amwoodart.co.uk
  • Part of the Northern Artists association, The Tin Shed
  • A regular member of the Etal Village Art Fairs

To see more off  Anthea’s work you can find her at…

Website: https://www.amwoodart.co.uk/

Instagram: @amwood_art

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Gunning press printmakers of the week- Jane Spink

This weeks Gunning press printmaker is the wonderfully talented Jane who run’s Inky dog studio’s, the owner of a Gunning press Number 1 Direct drive. We sat down with Jane to understand why she loves printmaking on her Gunning press.

Tell us about yourself…

“My name is Jane Spink. I am an artist who likes to work with printmaking techniques.
I’ve loved nature from early childhood and this is the main inspiration for my art. I
work from my 2nd floor home studio in Essex. It’s a fairly small space, but I have a
wonderful view of a windmill! I walk daily in a National Trust owned area close to my
home, where I gather ideas and images to use in my work.”


How did you or your organization get into printmaking?

“I originally trained as a Textile Designer at Art School and focused heavily on surface
decoration, shapes and colour. Many years later, whilst working as an Art Teacher, I
decided to use simple printmaking techniques with my pupils. I loved the process and
the strong, graphic results and decided to use the techniques in my own work. The
rest is history!”

How would you describe your artwork? 

“I like to work with different techniques, including collage, linocut and cyanotype either separately or together as mixedmedia. I also experiment with monotype and
collagraph, but still have much to learn about these techniques! My favourite printmaking technique is linocut as it is a relatively straight foward process and also quite versatile to use. I like to work in smallmedium scale and most of my work
depicts birds, insects, mammals and botanical subjects in varying combinations. I enjoy the challenge of fine detail and this often comes across in the pieces I make.”


How do you plan to take your artwork forward?


“I am constantly learning and developing as an artist, refining my skills and
experimenting with new ones. I also enjoy taking photographs and I frequently use
the images I capture as source and inspiration for my prints. I am working to develop
my photography skills which will naturally feed the development of my printmaking.
I have started working more with monotype and collagraph and definitely aim to
develop my use of these processes in my artwork. I am currently writing a book on
linocut printing, which I am very excited about! I am really enjoying the challenge of
creating inspiring linocut projects for my readers to learn from and develop their own
skills. The book is due to be published at the start of 2024.”


Why did you feel a Gunning Etching press was the best fit for you and your artwork?


“I initially handburnished all of my linocut prints before I decided to invest in a
printing press. Prior to purchasing my Gunning Etching press, I used a little wooden
book press, and more recently a larger wooden with which I could achieve greater
pressure and make bigger work. However, I have always loved the idea of having a
traditional etching press and because I wanted to work with intaglio processes as well
as lino, this was the perfect reason to take the plunge! After doing some research and
asking other printmakers, I settled on my Gunning press. The No. 1 Etching press (A3
size) is perfect for me with my limited space by far my best purchase in recent years!”


What’s your favorite feature on the Gunning Etching press that helps your printmaking process?


“This has got to be the lovely turning wheel! It’s so easy to operate smoothly and looks
absolutely wonderful in my studio. I have the press standing in the window and often
catch passersby staring up at it! I also love the registration bed so useful and I’m
really glad I asked for this option to be included!”


What would you say to someone thinking about purchasing a Gunning etching press?


“I would recommend without hesitation. The presses are wonderful to look at and to
use and the customer service is second to none! Jenny drove my press all the way
from Shropshire down to Essex and then set it up for me and a few months later
when I was having a little trouble (due to my own inexperience!), Dave drove down to
Rayleigh and resolved my issues I really couldn’t ask for more!”


Any other comments you would like to share with our blog readers?

“These are excellent presses and can deal wonderfully with just about any printmaking
processes you wish to throw at them! If, like me, you are new to using an etching
press, please allow some time for the inevitable learning curve. The process of using
an etching press is very different to other presses but patience will pay off and you
will soon be making amazing quality prints!”

To see more off Jane’s work you can find her at…

Website: www.inkydogstudio.com
Instagram: @inkydogstudio

TikTok: @inkydog_studio

 

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

 

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

What are runner’s, do I need them?

Our Gunning etching presses have the incredible ability to print both relief and intaglio prints. We Print relief plates through the runner system we have developed to suit our presses.

Our printing runners come in many different thicknesses, they are hard wearing acrylic so they will last you thousands of prints. They are used to line your press bed, if you have one of our presses they come with a system that secures them to your press, and your top roller is dropped down onto your runners so you can just kiss your plate with your top roller.

 

When using runners, you should have a sandwich (packing paper, plate, print paper) at the same height or slightly higher than the runners so that when you pull your print through you are kissing the paper to the plate to create a perfect print. You can have your plate at the top of the sandwich and the paper you are printing on right next to the roller but if you find you get what looks like slipping you will want to put your plate at the bottom of the sandwich next to the bed. The thicker the runners and the more packing the likelihood of slipping reduces massively.

For example with the 4mm thick runners you will be able to print any thickness of plate up to around 4mm thick. For example, Hessian backed Lino is 3.2mm thick, easy cut Lino is 3mm thick. To print these thicknesses of plates with your 4mm thick runners you will just add the missing milli-meters by adding what we call packing paper on top or underneath your plate.

Printing Runners

Are you wanting to print thick plates on your etching press? Our presses can fit up to 50mm through our rollers.

The runners we have developed provide a quick and easy switch from printing relief to intaglio. This method took years of printing to find out what does and doesn’t work, but we are so happy to have our simple method in place.

To purchase our runners you can find them here.

 

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

Gunning press printmakers of the week- Andy Abram

This weeks Gunning press printmaker is the wonderfully talented Andy Abram, the owner of a Gunning press Number 3 direct drive. We sat down with Andy to understand why he loves printmaking on his Gunning press.

Tell us about yourself…

“I’m 52 and live in the Conwy Valley in North Wales. Originally a graphic designer, I ran a successful new media agency for 22 years before moving here from Cheshire. I’m lucky enough to be retired from my ‘day job’ now, so printmaking is something I’m able to concentrate more on these days. I live with my wife and stepdaughter in a beautiful part of North Wales, so there’s plenty of inspiration all around me.”

How did you get into printmaking?

“I studied Graphic Design at College and Uni, so Printmaking was part of the curriculum. I remember really liking the process, particularly linocut. Which is what I concentrate on now. Plus, the experience I gained in print design in my early career gave me an appreciation of colour separation and art working, which definitely comes into play with my printmaking.”

How would you describe your artwork?

“I produce short run multi-layer reduction linocut prints. Mainly landscapes, inspired by my own original photographs. I tend to stick to Caligo Safewash inks and print on Somerset papers. I usually aim for between 10 and 20 finished prints.”

How do you plan to take your artwork forward?

“Well up until recently printmaking has been a hobby really, but I’m able to spend more time on it now.”

“I’ve recently started a new series based on stone – standing stones, bolders etc that I’ve come across in the local landscape. The textures are fascinating, and the locations are stunning. I’ve finished one print and working on 2 more right now, with plans for many more. There’s an endless supply of material in the locality.”

“I’d like to get them entered into printmaking exhibitions, and maybe even show them as a series eventually.”

“I’ve also booked a photogravure course with Ironbridge Printmakers. I’ve been interested in it for a while, so it’ll be great to learn something new and expand my printmaking skills with Jenny.”

Why did you feel a Gunning Etching press was the best fit for you and your artwork?

“I’d spent a good number of years using a basic wind-down press and a small craft press, which were ok, but I wanted to produce larger prints on a ‘proper’ press. I researched quite a few, but the Gunning press seemed to tick all the boxes and it looks fantastic too.”

“I spent 3 months converting an old wooden stable in my garden to be my studio. It’s a great space and the Gunning press is perfect in there.”

What’s your favourite feature on the Gunning Etching press that helps your printmaking process?

“The massive wheel! It’s so easy to use, and the consistency I can achieve with the press is perfect. I also opted for the stand with wheels, which means I can push the press to one side when not in use, which is also very handy.”

Most printmakers have a name for their press, does your Gunning etching press have a nickname?

“Er, not really, haha. I hadn’t thought to do that to be honest, maybe I should think of one now!”

What would you say to someone thinking about purchasing a Gunning etching press?

“Just do it, you won’t regret it. Don’t settle for anything inferior, the quality of these presses is excellent.”

To see more off Andy’s work you can find him at…

www.andyabram.co.uk

https://www.artfinder.com/artist/andy-abram

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

Gunning press printmakers of the week- Martin Truefitt-baker

This weeks Gunning press printmaker is the wonderfully talented Martin Truefitt-Baker, the owner of a Gunning press Number 3 has been printmaking 30+ years. We sat down with Martin to understand why he loves printmaking on his Gunning press.

Tell us about yourself…

“I’m a fine art printmaker and painter living in the Brecon Beacons national park, South Wales, UK.  I grew up in Dagenham (N.East London) but I have lived in Wales for over 40 years.

I taught in a secondary comprehensive school near to Merthyr Tydfil for 30+ years until about 7 years ago. I started seriously painting and printing for myself again around 5 years ago and things have taken off from there. Now I call myself a ‘full-time’ artist.”

How did you or your organization get into printmaking?

“I did a strange university degree at Aberystwyth. Visual Art. I ended up specializing in graphics and book illustration. I was making some fairly simple prints at the time.

I did my final dissertation on Edward Bawden and actually went to visit him at his home and studio. I even had the cheek to send him one of my prints and I have a lovely letter critiquing the work. That Bawden, Ravillious, Nash, group of artists from the 30, 40, 50s have been a longtime influence. It’s great to see them having a lot more attention now: very much deserved.”

How would you describe your artwork?

“My linocuts use a reduction method, using a single piece of lino. This is progressively cut away and overprinted onto paper several times, in a succession of tones, to build up the final image. There are usually around 5 layers of cutting and printing, after that I feel a print loses a bit of the graphic quality that is a part of the attraction of lino.

The prints are mostly of the animals I have seen on walks through the local landscape, within a couple of miles of home. I’m lucky to live in the beautiful Usk valley, within the Brecon Beacons National Park.

I try to catch some of the magic in the way the animals move and live within their environment, trying to imagine what it’s like to be them, their size, in that place.

I paint and draw a lot as well as make prints. I find that my printing influences my painting and vice versa. I’ve developed a design technique for my prints that involves making an acrylic painting first. This helps to organise the range of tones that will later be turned into layers of cutting and printing in the final reduction linocut. You can read more about this technique and others in my blog on my website.”

How do you plan to take your artwork forward?

“Several of my designs have now been published as greetings cards by Art Angels and another (the Frosty Hare) is due to be ready for Christmas. I was lucky (and a bit cheeky) they were the first company I approached about using my work simply because they printed Angie Lewin’s and Edward Bawden’s work. Fate!

I’ve a calendar being published by Flametree for 2023 and another being put together for 2024. Cards (and I hope calendars) are great little adverts for your work. You get two audiences, the person buying and the person receiving. I get many inquiries for prints from this.

I’ve recently been experimenting with some different printing techniques. I’ve always enjoyed making (and teaching) collagraphs but I’ve also started using carborundum in PVA on Perspex to get a softer, more painterly result. Along similar lines, I’ve also started to teach myself a bit of mezzotint but I still need a lot of practice.”

Why did you feel a Gunning Etching press was the best fit for you and your artwork?

“The Gunning press is simple to use and versatile. I have the number 3 with the 6 1/2 inch top roller and the large round wheel. I quickly managed to make it work for me and the way I print with only a couple of changes to my printing method.

Registration is key to successful reduction linocut printing. I use the Burnes Tientes pins or the registration pins provided by Ironbridge Fine arts and a slippy layer of Teflon baking parchment on top of the paper to help to stop it being moved by the roller during printing.”

What’s your favourite feature on the Gunning Etching press that helps your printmaking process?

“Easy height and tension adjustment. The large round wheel and the direct drive is simple and it allows you to feel exactly how the plate is going through the press.”

Most printmakers has a name for their press, does your Gunning etching press have a nickname?

“Myfanwy!”

What would you say to someone thinking about purchasing a Gunning etching press?

“Have a go first, organize a visit to Ironbridge, Jenny will talk you through every different option and work with you find the best fit for you and your plates.”

Any other comments you would like to share with our blog readers?

“Technique is secondary to what you want to say. Everyone has something that makes them an individual, express it and enjoy it. Don’t feel you have to work in a certain way because ‘that’s what artists do’.

Everyone can draw and paint! Practice can make you better and the rest is just your style, it’s what makes your work interesting.”

To see more off Martin’s work you can find him on facebook @martin.truefittbakerart , instagram at @truefittbakerart or browse his website.

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

cranfield seleant gun

Our printmaking ink range…

Here at Ironbridge fine art’s we chose to stock the brilliant Cranfield’s printmaking inks. We have a wide range of etching inks and relief inks which allow for non toxic printing methods and a solvent free way of cleaning. We stock our inks in every colour, size and type, ready for most printing methods. Cranfield always select light fast pigments for their formulations. All our inks are rated 6 or higher on the International Blue Wool Scale.

With so many inks being available you might be asking yourself which ink is best for me and my printing methods? In this blog we will explain all you need to know about the types of inks we offer giving you the knowledge to know which inks will suit you and your printmaking processes.

Traditional Relief ink

Traditional Relief Inks

A traditional oil based ink perfect for printing onto raised surfaces such as your lino’s and woodblocks.

Relief printing is perhaps the broadest type of printmaking and has recently seen a resurgence of interest. It uses plates made from a variety of materials such as lino, wood, card, metal and cloth.

A popular and reliable formulation – provides vibrant, light fast prints from all types of relief plates

As well as highly pigmented formulations, Cranfield traditional relief inks also benefit from a careful mix of traditional linseed oils. These are chosen and blended to provide a viscosity and structure to the ink – along with that unique linseed smell. This keeps the relief print as fresh and bright as the day it was created.

Caligo Safe Wash Relief Inkscaligo safe wash

A safe wash based ink perfect for printing onto raised surfaces such as your lino’s and woodblocks.

Relief printing is perhaps the broadest type of printmaking and has recently seen a resurgence of interest. It uses plates made from a variety of materials such as lino, wood, card, metal and cloth.

We have a wide range of safe wash relief inks which allow for non toxic printing methods and a solvent free way of cleaning. Our safe wash inks are oil based however are water soluble so they can be easily cleaned with liquid soap and water.

Caligo Safe Wash Relief inks are suitable for both damped and dry paper and deliver strong crisp results.

Beautiful pigments, finely ground into the purest oil for archival results.

Traditional Etching Inkscaligo safe wash

A traditional oil based ink perfect for pushing into intaglio plates such as dry-points, etchings and photo polymere’s.

A consistently reliable formulation – provides rich prints from all types of Intaglio plates.

As well as highly pigmented formulations, Cranfield traditional etching inks also benefit from a careful mix of traditional linseed oils. These are chosen and blended to provide a viscosity and structure to the ink – along with that unique linseed smell. This keeps the etching as fresh and bright as the day it was created

Caligo Safe Wash Etching Inks caligo safe wash

A safe wash based ink perfect for pushing into intaglio plates such as dry-points, etchings and photo polymere’s.

We have a wide range of safe wash etching inks which allow for non toxic printing methods and a solvent free way of cleaning. Our safe wash inks are oil based however are water soluble so they can be easily cleaned with liquid soap and water.

Beautiful pigments, finely ground into the purest oil for archival results.

Ink sizecranfield seleant gun

The majority of our ink comes in 75ml tubes, these small easy tubes make it easy and fast to dispence ink with storing it in an easy way which prevents ink drying out. These sized inks are perfect for a printmaker wanting to sample a new colour or for someone or for someone just starting out.

Some of our key colours such as your magenta, black and white are available in 300 gram tubes. These tubes are placed into a seleant/caulking guns to dispense the ink with ease and little mess caused. These tubes are fantastic for a busy printmaker they make for a clean print run with little ink waste.

Metallic Inks

We stock silver, gold and copper in our traditional relief range. These colours allow for a beautiful metallic print with shimmering qualities showing through from the beautiful pigmented ink.metallic ink

 

 

 

Extender extender

Extenders are stocked in all ranges and are simply like any other ink except include no pigment so that they are completely transparent and offer the ability to mix with other inks creating transparency with in colour.

Caligo safe wash oil

A specialist washable oil that you can add to your Safe Wash Inks when you need to thin and dilute your ink. It makes your inks thinner, reduces viscosity, increases flow and increases transparency.

This oil modifier is made with the same linseed oil medium we use to make the safe wash inks. It is therefore an ‘oily’ rather than ‘inky’ modifier. If you need to increase transparency but maintain the body of you ink use Caligo Safe Wash Extender.

Caligo Safe Wash Oil is Ideal for Monoprinting and Carborundum printing when you need to thin and dilute your inks
Also suitablle for Viscosity Printing applications when you need to reduce viscosity and increase the flow of your inks.

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.

Workshop

‘Papilon printing press’

Shrewsbury high school are the latest and luckiest owners of a Gunning etching press No.2!

Dave, a member of our team delivered and trained Shrewsbury High’s staff members on how to assemble, set up and print on their brand new Gunning etching press.

Geared Gunning Etching Press

The students at Shrewsbury high school have decided their Gunning etching press needed its own personal nickname. Students and staff set up a competition suggesting different names until the name ‘Papilon printing press’ was picked.

Shrewbury high school etching press No 2 

 

Students and staff have been so excited to print on Papilon, they have been and visited us here in Ironbridge for an Etching workshop were they learnt how to etch with specialist printmaker Jenny. A group of 5 students spent the day learning how to etch into metal creating their own steel plates.

Gunning Etching Press No 1

Students at Shrewsbury High have and are continuing to create some beautiful prints in their own print studio at Shrewsbury high using the printmaking processes taught to them from our team here at Ironbridge printmakers.

Gunning Etching Press No 1Gunning Etching Press No 1

We are so excited to see what they continue to print.

Thank you for reading!

Happy Printmaking!

All the best,

Ellie & The Team!

Tag us using the Hashtags…

@Ironbridgeprintmakers @Gunningetchingpress #GunningEtchingPresses  #GunningEtchingPress #JennyGunningPrintmaker

If you have read to the bottom of this blog you are entitled to a free gift, please email Jenny@IronbridgefineArts.co.uk with your preferred printing Relief or Intaglio to claim. Postage of £6.99 will still apply.